The mist marcia gay harden

In his horror novella The Mist, King depicts a town suddenly under attack. Nevertheless, he goes deeper, exploring a more intimate setting. He stays within the boundaries of a small. Terror mounts as deadly creatures reveal themselves outside, but that may be nothing compared to the threat within, where a zealot (Marcia Gay Harden) calls for a sacrifice. Harden appeared in several films, including Sean Penn 's Into the Wild and Frank Darabont's The Mist (opposite Thomas Jane and Laurie Holden), based on the novella by Stephen King.

Also in , she shared top billing with Kevin Bacon in Rails & Ties, the directorial debut of Alison Eastwood. The Mist: Directed by Frank Darabont. With Thomas Jane, Marcia Gay Harden, Laurie Holden, Andre Braugher.

After a massive thunderstorm, an eerie, unwavering fog descends upon a Maine community. Locals seek refuge in a grocery store from the monstrous creatures now roaming the countryside killing everyone they encounter. Marcia Gay Harden (born August 14, ) is an American film and theatre actress. Harden's breakthrough role was in Miller's Crossing and then The First Wives Club which was followed by several roles which gained her wider fame including the hit comedy Flubber and Meet Joe Black.

The ability of Stephen King to bring to life our greatest fears is undeniable. He even wrote one of his greatest books about materializing them. Exactly where it hurts. He travels to the mundane plane and makes up stories about demons you can actually imagine, see, and practically even touch. In his horror novella The Mist , King depicts a town suddenly under attack.

Nevertheless, he goes deeper, exploring a more intimate setting. That threat is something out of this world and so unlikely, he nearly touches ground on fantasy. In the aisles, an old religious lady has the power to turn basic human survival into a struggle to stay in a setting of logic and reason. In Frank Darabont's big screen version of The Mist , the concept is accurately adapted to be an essential counterpart to the threat of Lovecraftian creatures taking over the world.

Upon closer inspection, something becomes very noticeable. The agency of her character has more to do with an everlasting effect than a feeling of instant reaction when watching The Mist. Seldom do performers accomplish so much with such little screen time. Hannibal Lecter, anyone? Darabont plays his pieces with deftness. In the beginning, her reactions are normal, and the audience even listens to her at some point.

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But then, she slowly enters her way into the psyche of survivors not only looking for resources, but also for answers, in this darkest of King adaptations. The Carmody characterization exists because of how much power is born out of desperation and admittance. From cult leaders to certain yogis and self-help gurus, these kinds of people exist, and they will go places to spread their message.

When Mrs. Carmody realizes she has a grasp, she becomes aware of its wideness and understands how her role may grow. The cult has been formed, the leader sits comfortably on the throne, and followers will do whatever she asks. They know if they stay, they will be killed by the mob and a boy will be sacrificed and, according to Carmody's prophecy, God's wrath will be avoided.

If they run, perhaps they will live. Neither King nor Darabond explored what happens in the supermarket once the "survivors" leave. A priestess for some, the answer for others, and a goddess for all of them. What if there were actually survivors, and they turned Carmody into some sort of god and founded a church in her name?

And in the hands of King's fascinating villains, it represents death, an evil which takes a form that's horribly realistic and tangible considering today's socially divided society. Sign in now.