Drawing gay men chloroform

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Have you ever been chloroformed before yourself? Yes As my pictures show it. Yes, many times. Gay Art Collection is an online gallery specializing in drawings, paintings, and photographs of the male figure. Artists include Tom of Finland and George Quaintance. Sebastian Moreno mexican artist living in Spain, creating very expressionistic homoertotic paintings. My deepest wish is that through my work, brave men who dare to love other men feel proud.

In body, soul, mind and spirit. With every part of his being. Merging into one, in all positions and by all possible means. Because the nature of love is one. Those who sipped or sniffed ether and chloroform in the 19th century experienced a range of effects from these repurposed anaesthetics, including preternatural mental clarity, psychological hauntings, and slippages of space and time.

Mike Jay explores how the powerful solvents shaped the writings of Guy de Maupassant and Jean Lorrain — psychonauts who opened the door to an invisible dimension of mind and suffered Promethean consequences. Painting by Richard Tennant Cooper representing the effects of chloroform, ca. Now widely available in pharmacies, these powerful solvents were inhaled as soothing vapours for chest and lung conditions, as an analgesic for aches and pains, and as fast-acting tranquillisers for panic attacks and other nervous conditions.

These solvents were often carried in small glass vials and medicine bottles by the asthmatic, tubercular, and neurasthenic, added to patent tonics and syrups, and, on occasion, to cocktails: an ether-soaked strawberry floating in champagne produced a heady rush, the fruit preventing the volatile liquid from evaporating too quickly. Literary references to ether abounded, either as a signifier of decadence or as a literary prop to shift a realistic narrative into the landscape of dreams and symbols, where its dissociative qualities became a portal to strange mental states, psychological hauntings, uncanny doublings, and slippages of space and time.

Illustration for H. The doctor continued inhaling from his bottle for an eternity, carried away in his cerebral reveries, until he looked down and saw that it was empty. He first tried it as a remedy for his catalogue of persistent medical and neurological conditions, which included migraines, rheumatism, partial blindness, internal bleeding, and fevers; his physicians offered conflicting opinions on their cause, most of which have been retrospectively connected to his eventual deterioration and death from syphilis.

The regular use of ether affected him strangely: he described to friends seeing little red men sitting in armchairs, feeling his soul separating from his body and, more than once, walking into his house and seeing himself sitting on his sofa. The study of Guy de Maupassant as depicted by Gustave Fraipont, ca.

Yan' Dargent illustration for Louis Figuier's Les Merveilles de la Science depicting the hallucinatory dreams produced by ether, — Source.

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Disembodied voices were often described in both the medical and the spiritual literature, and were experienced and interpreted in various ways. The British doctor Ernest Dunbar described hearing them on chloroform in a report to the Society for Psychical Research:. Where psychic researchers heard telepathic communications, the spirits of the deceased, or the voices of angels, Maupassant tended to interpret them as doublings or splittings of his own mind.

In his final years, however, he was unable to dismiss the possibility that they were intimations of something beyond the self: not necessarily spirits or demons as traditionally conceived, but evidence for a disembodied presence that was stalking the modern world. In a series of ever more harrowing diary entries, the protagonist documents a double consciousness or self-haunting, in which objects in his locked room are interfered with.

As under ether, arguments and proofs construct themselves with ever greater ingenuity, only to be replaced by others. Its presence is diffuse, tearing at the veil of reality and punctuating it with surreal juxtapositions and flashes of preternatural clarity. Lorrain first used ether medicinally, as symptomatic relief for his chronic tuberculosis — similar to his rival Maupassant, who once challenged him to a duel for plagiarism.

His illness, and his self-medication with ether, were both woven into his highly cultivated public persona. Right: photograph of Jean Lorrain dressed as a dying warrior in a costume created by Sarah Bernhardt, ca. In the end, however, neither science nor the supernatural, nor indeed ether, offered sufficient explanation. Bankrupted by lawsuits for plagiarism and obscenity, he fell from fashion in the new century and in suffered an ignominious death of peritonitis after perforating his colon with an enema while attempting to relieve his ether-induced intestinal ulcers.

It opened the door to an invisible dimension of mind that hypnotism and the mind-doctors were no more capable of explaining than mediums or exorcists. Far from the images of balloon-huffing festival-goers and post-dental nonsense that nitrous oxide tends to conjure today, this unique anthology reveals the fascinating pedigree of the gas — a history at the very heart of the romantic movement and one of the great early blooms of psychedelic literature.

Today, as we embrace novel cognitive enhancers and psychedelics, the experiments of the original psychonauts reveal the deep influence of mind-altering drugs on Western science, philosophy, and culture. The Public Domain Review receives a small percentage commission from sales made via the links to Bookshop. Thanks for supporting the project!

Mike Jay has written extensively on scientific and medical history and contributes regularly to the London Review of Books and the Wall Street Journal. Pay by Credit Card. Pay with PayPal. Click for Delivery Estimates.